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Gender, Prison and Reentry Experiences : A Matter of Time
This book explores the unique reentry experiences of incarcerated men and women who are about to be released from prisons in Portugal.By analysing gendered reentry experiences through the narratives of men and women, Gender, Prison and Reentry Experiences sheds light on current practices and strategies adopted in prisons regarding reentry and examines the structural, institutional, and personal barriers that infl uence the reentry outcome. Gender, Prison and Reentry Experiences examines the narratives built around an individual’s prison experiences, their perception of the prison’s impact on reentry, and their expectations after release.It reveals how men and women narrate and attribute meaning to their time in prison and how they navigate their ‘prisoner’ and ‘gendered’ identities.In doing so, this book demonstrates the importance of these identities in relation to recidivism and desistance, while also questioning the role incarceration has in further criminalising and obstructing an individual’s reentry process.It puts forward recommendations that aim to improve the lives of all incarcerated individuals within the current system, in addition to advocating for decarceration and prison abolition.It presents a novel contribution to the internationalisation of knowledge across multiple disciplinary subfi elds, namely critical reentry studies and feminist criminology, fi lling a gap in the current knowledge as few studies focus on prison experiences as a core aspect of understanding the reentry process. An accessible and compelling read, this book will appeal to students and scholars of criminology, sociology, law, desistance studies, and those interested in gaining a unique insight into the experience of incarcerated individuals.
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During the COVID-19 pandemic lockdowns, children’s media use increased (Mesce et al. 2021) while a decrease in print-book reading was observed (Nolan et al. 2022). An increase in tablet use suggests that when children were reading, it was mostly online in the form of ePub3 pdf files for illustrated works and prescribed school texts, while smartphone use was linked to apps and games. (Susilowati et al. 2021) For many years now, children’s publishers have experimented with digital picture-book formats but have regarded the genre as not suitable for digitisation. This book documents the findings of a one-year research project engaging the children’s publishing sector for feedback on reading trends and digital publishing in picture-book genres.The research assesses the plight of picture books in the current climate and considers how picture-book publishers cater to diverse readerships and new reading platforms post Covid-19 lockdowns and into the digital age. Written by an academic and editor with over 15 years industry experience, this book offers a nuanced response to children’s picture book publishing and reception for librarians, teachers, publishers and international scholars in the fields of publishing studies, library studies, early childhood studies, early education and childhood psychology.
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Danny's Blog/El blog de Daniel
Is this the end of the road for the orangutan reserve at Pumai?Who will stop logger Brad Coram from taking over and destroying everything?Danny has a plan. Find out if he wins - in Spanish and English!
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This book tells the story of the turbulent decades when the book publishing industry collided with the great technological revolution of our time.From the surge of ebooks to the self-publishing explosion and the growing popularity of audiobooks, Book Wars provides a comprehensive and fine-grained account of technological disruption in one of our most important and successful creative industries. Like other sectors, publishing has been thrown into disarray by the digital revolution.The foundation on which this industry had been based for 500 years – the packaging and sale of words and images in the form of printed books – was called into question by a technological revolution that enabled symbolic content to be stored, manipulated and transmitted quickly and cheaply.Publishers and retailers found themselves facing a proliferation of new players who were offering new products and services and challenging some of their most deeply held principles and beliefs.The old industry was suddenly thrust into the limelight as bitter conflicts erupted between publishers and new entrants, including powerful new tech giants who saw the world in very different ways.The book wars had begun. While ebooks were at the heart of many of these conflicts, Thompson argues that the most fundamental consequences lie elsewhere.The print-on-paper book has proven to be a remarkably resilient cultural form, but the digital revolution has transformed the industry in other ways, spawning new players which now wield unprecedented power and giving rise to an array of new publishing forms.Most important of all, it has transformed the broader information and communication environment, creating new challenges and new opportunities for publishers as they seek to redefine their role in the digital age. This unrivalled account of the book publishing industry as it faces its greatest challenge since Gutenberg will be essential reading for anyone interested in books and their future.
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Ai Weiwei's Blog : Writings, Interviews, and Digital Rants, 2006-2009
Manifestos and immodest proposals from China's most famous artist and activist, culled from his popular blog, shut down by Chinese authorities in 2009. In 2006, even though he could barely type, China's most famous artist started blogging.For more than three years, Ai Weiwei turned out a steady stream of scathing social commentary, criticism of government policy, thoughts on art and architecture, and autobiographical writings.He wrote about the Sichuan earthquake (and posted a list of the schoolchildren who died because of the government's "tofu-dregs engineering"), reminisced about Andy Warhol and the East Village art scene, described the irony of being investigated for "fraud" by the Ministry of Public Security, made a modest proposal for tax collection.Then, on June 1, 2009, Chinese authorities shut down the blog.This book offers a collection of Ai's notorious online writings translated into English-the most complete, public documentation of the original Chinese blog available in any language. The New York Times called Ai "a figure of Warholian celebrity." He is a leading figure on the international art scene, a regular in museums and biennials, but in China he is a manifold and controversial presence: artist, architect, curator, social critic, justice-seeker.He was a consultant on the design of the famous "Bird's Nest" stadium but called for an Olympic boycott; he received a Chinese Contemporary Art "lifetime achievement award" in 2008 but was beaten by the police in connection with his "citizen investigation" of earthquake casualties in 2009.Ai Weiwei's Blog documents Ai's passion, his genius, his hubris, his righteous anger, and his vision for China.
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